In recent days, I attended two concerts that restored a certain hope in the future of art—moments of light piercing through the wasteland of nihilism I had fallen into. A nihilism born from the senselessness that anyone experiences when trying to enter the professional art world through traditional paths. A system in decline, unwilling either to die or to heal. Each of these two concerts, in their own way—with their forms and aesthetics—managed to break through the stale mono

It may seem curious that, in the age of communication, where information flies through invisible networks at an immeasurable speed, we...

Introduction: What is a Composer's Work? Music and Context The goal of this presentation, to have a real impact on the students'...

How does one cope with such a great responsibility as being a mediator between a master and a listener? I think this would be a good...